February 22, 2019

Kumiodori 300th Anniversary

Filed under: news — Tags: — okinawacollection @ 10:00 AM

To celebrate the 300th anniversary of kumiudui (or kumuodori in standard Japanese) in Okinawa, a special Ryukyuan dance will be performed at Kyoto Art Theater Shunūza studio 21 on February 23, 2019.

300th anniversary of kumiudui

Kumiodori 300th Anniversary
Ryukyuan Dance and Kumiodori at Shunjuza

  • 23 February 2019, Saturday
  • Kyoto Art Theater Shunjuza
  • From 2 PM; Theater opens 1:30PM
  • With [Buyō] Miyagi Noho, [Uta/Sanshin] Nishie Kishun, [Taiko] Higa Satoshi and others

Presented by Kyoto Performing Arts Center at Kyoto University of Art and Design, and National Theater Okinawa
Supported by the Agency for Cultural Affairs, Government of Japan, and Okinawa Prefecture



  • 第一部 琉球舞踊
  • 第二部 組踊「孝行の巻」

Video clip from Kyoto Art Theater, published on Apr 25, 2016.

About kumiudui/kumiodori/組踊

“Kumiodori was created by the Dance Magistrate Tamagusuku Chokun (1684-1734) and was first performed in order for Sho Kei, the thirteenth king of the second Sho dynasty, to entertain the sappōshi[冊封使] in 1719.

Chokun wrote Shushin-kaneiri, Nido-tekiuchi, Mekarushi, Onna-monogurui and koko−no-maki, which are called the five works of Chokun.
The impression formed on the sapposhi who were watching kumiodori for the first time was deep, and, following that occasion, kumiodori became the centre around which dance programmes were organized as coronation performing arts. Such programmes were the ones to be staged on the occasion of a new king receiving investiture, so their contents had to be worthy of the occasion. Kumiodori, the main element of the programme, was something of which Ryukyu was proud, and thus it came to be designated the national drama.”

Source: http://kumiodori.jp/E-kumiodori/index.html, last accessed on February 21, 2019.

UNESCO’s Intangible Cultural Heritage site explains kumiodori as follows:

“Kumiodori is a Japanese performing art found on the Okinawa islands. It is based upon traditional Okinawan music and dance, but also incorporates elements from mainland Japan, such as Nogaku or Kabuki, as well as from China. Kumiodori dramas recount local historical events or legends, accompanied by a traditional three-stringed instrument. The phrases have a particular rhythm, based upon traditional poetry and the distinctive intonation of the Ryukyu scale, and are performed in the ancient language of Okinawa. The physical movements of the performers evoke those of a pythoness at traditional rituals of ancient Okinawa. All parts are performed by male actors, and techniques unique to Okinawa can be seen in the methods of hair-dressing, costumes and decorations used on stage. The need to strengthen transmission motivated Kumiodori performers to establish the Traditional Kumiodori Preservation Society, which trains performers, revives discontinued dramas, and carries out performances on a regular basis. In addition to classical works that emphasize themes of loyalty and filial duty, new dramas have been produced with modern themes and choreography, but retaining the traditional Kumiodori style. Kumiodori plays a central role in preserving ancient Okinawan vocabulary as well as transmitting literature, performing arts, history and ethics.”

Source: “Kumiodori, traditional Okinawan musical theatre: Inscribed in 2010 on the Representative List of the Intangible Cultural Heritage of Humanity,” at https://ich.unesco.org/en/RL/kumiodori-traditional-okinawan-musical-theatre-00405, accessed on Feb 21, 2019.


February 14, 2019

Iha Fuyu and Yanagita Kunio

Filed under: events — Tags: , — okinawacollection @ 9:30 AM

The Center for Okinawan Studies (COS) at the University of Hawai‘i at Mānoa has invited Professor Emeritus Hiyane Teruo (比屋根照夫) as a guest lecturer. The event was held in the afternoon of Wednesday, February 13, 2019. The title of the colloquium was “the Rise of Modern Okinawan Discourse on Hawai’i’s Social Pluralism.”

“Information on Professor Hiyane: the author of some 20 books and numerous articles on modern Okinawa, will discuss how the Hawaiian Islands were represented as a land of hope and distress by Ifa Fuyū (1876-1947), the “Father of Okinawan Studies”; Ifa Getsujō (1880-1945), Ifa Fuyū’s brother and outstanding journalist who died in the battle of Okinawa; and Higa Seikan (1885-1985), Ifa Fuyū’s follower and Okinawan pastor who immigrated to Hawai’i. The topic of relevant to the democratic ideals and reality that Okinawa continues to face today.”

Excerpt from http://manoa.hawaii.edu/okinawa/wordpress/?p=2241

Professor Hiyane Teruo Colloquium

During the Q & A session, Professor Hiyane made a remark on the friendship between Iha Fuyū (伊波普猷) and Yanagita Kunio (柳田國男).

There is Yanagita Bunko at Seijō University. Yanagita Bunko has an extensive collection of resources related to Tokara, Amami, and Ryukyu islands.

The Okinawa Collection at UH has some items related to this topic.

Another question was raised from the audience with regard to Iha’s idea of preserving Uchinaguchi.

Patric Heinrich’s article, “Hōgen ronsō: the great Ryukyuan languages debate of 1940” sheds light on this issue, including the role Yanagita Kunio and Yanagi Muneyoshi played in the Japan Folk Crafts Society.

  • Heinrich, Patric. “Hōgen ronsō: the great Ryukyuan languages debate of 1940,” in Contemporary Japan, 25(2): 167-187. DOI 10.1515/cj-2013-0008


Professor Hiyane at COS

February 2, 2019

Echoes of Uchina de-ku in Hawai’i

Filed under: events — Tags: , — okinawacollection @ 10:30 AM

Ukwanshin Kabudan announced the following taiko (drum) event.

Echoes of Uchina de-ku in Hawai'i

In celebration of the 50th Anniversary of Mitsufumi Ryubu Taiko, a special concert featuring musicians from Mitsufumi Ryubu Taiko Hozon Kai with an appearance by Hawaii Taiko Kai will be performed on Sunday, April 14 at the Hawaii Okinawa Center. An Aloha Party with entertainment by Hawaii Taiko Kai, Senju Kai and Urizun will follow the concert. Please see the attached flyer for ticket information.

Free bus shuttle will be available to/from the concert. The first bus will leave Jikoen Hongwanji to HOC [Hawai’i Okinawa Center]  and return after the concert. A second bus will return later for those riders attending the Aloha Party.

  • Date: April 14, 2019
  • Time: 3:00 PM (performance) ; Door opens at 2:30 PM
  • Place: Hawai’i Okinawa Center (94-587 Uke’e Street, Waipahu, HI 96797)
  • Aloha Party to follow performance
  • Admissions:
    • Performance Tickets: $35/person
    • Aloha Party tickets: $25/person

For bus reservations, please contact: Diana Kawaguchi
phone: 808-261-8421 (leave your name/phone number)
email: dk1284[at]yahoo.com (send your name/phone number)

Please replace [at] with @.

Please come and enjoy an afternoon of exciting music and join us at the Aloha Party to meet and greet the talented performers.